Anthony Caro: Interior and exterior

📖 The Scoop

Since the mid-1950s, when Anthony Caro first announced himself as a young sculptor to be reckoned with, he has restlessly explored an unpredictable range of sculptural possibilities, testing limits and positing new ideas about the nature of eloquent three-dimensional objects. Through his expansion and transformation of the legacy of construction in metal pioneered by Julio González and Pablo Picasso, and further developed by David Smith in the USA, Caro has created a new, multivalent language of three-dimensional abstraction. The three volumes in this set, each by a different critic, examine the various aspects of Caro's evolution individually, tracing the permutations of different themes - narrative, volume and mass, line and openness - throughout his work, over time. Each volume is independent and explores different territory, but cumulatively, by tracing these dominant themes, they provide new insight into the achievement of one of the undisputed giants of modernist art.

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