๐ The Scoop
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s โIndonesian neorealist filmsโ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945โ49). It continues by discussing four audacious political allegories produced in four discrete political erasโincluding the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in โmodernizingโ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999โ2020), including films by an unprecedented generation of women writer-directors
Genre: Performing Arts / General (fancy, right?)
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