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Contrasts of Forms
Between 1912 and 1914, Fernand Léger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, st...
"Published on the occasion of the exhibition The Essential Duchamp, Tokyo National Museum, October 2-December 9, 2018; National Museum of Modern and C...
The Flight of European Artists from Hitler
The rise of the Nazis in 1933 caused an unprecedented forced migration of hundreds of artists within and, in many cases, ultimately away from Europe. ...
How a Radical Idea Changed Modern Art
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde...
Aperture Masters of Photography
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Exhibition, The Museum of Modern Art, New York, Febr. 15 - May 12, 1998 F Organized by Carolyn Lanchner ; with Essays by Carolyn Lanchner, Jodi Hauptman and Matthew Affron ; and Contrib. by Beth Handler and Kristen Erickson
Fernand Leger (1881-1955) is the only modern artist to choose modernity itself as his subject. From his early series Contrastes de formes (1913-14), t...
Exhibition at the Museum of Modern Art, New York, February 15-may 12, 1998
Fernand Leger is the only major modern artist to choose modernity itself as his subject. From his early series "Contrastes de formes," of 1913-14 - th...
In the first U.S. retrospective of the painting of Émilie Charmy, Affron surveys key phases of Charmy's artistic career in relation to major issues i...